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Tamás Konok – A Retrospective Exhibition 5. October, 1995 – 15. November
In his work of the last fifteen years, Tamás Konok has proved himself a master of architecture of the modern spirit.
In his work of the last fifteen years, Tamás Konok has proved himself a master of architecture of the modern spirit.
Julie Roberts belongs to the new generation of artists. She recently graduated from the Glasgow School of Art and still lives and works in Scotland. Her works csan be described „object based” or new conceptual. Roberts’ paintings make reference to domestic and institutional systems.
Reinhold Würth a German businessman has been collecting 20th century art for about 20 years.
Born in 1933 in Brooklyn, New York, the family emigrated from Germany in the 19th century. Studied at Brooklyn College and attended the photo course of Walter Rosenblum. He got his first camera at 21. Worked with the Pix agency at the beginning.
An indivisible pictorial unity is achieved in László Fehér's paintings by combining objectivity with extreme subjectivity; cool aloofness with passionate commitment and the painful hollowness of banality with the solemn silence of the "great moments".
Root to Route: Rumbach Street
American artist Alejandro Fogel’s installation and exhibition
"If art were to redeem man, if could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness" (John Lennon, 1968)
The idea of Anthony Gormley's exhibition came from Lewis Biggs, curator of the Tate Gallery Liverpool who posed the question to me besides the New Year greetings far 1993 whether a Gormley show would interest me in 1994.
I try to follow the career of Nedko Solakov since he first appeared on the scene at the Budapest Art Expo with his wonderful book-objects.
Invisible Nature, a show of contemporary Japanese art, was initiated by a Prague art historian, Ivona Raimanová, the Head of the Exhibition Department at the Czech Republic’s Presidential Office at the time.
With this exhibition, two names became interconnected: the artist Pablo Picasso’s and that of collector Peter Ludwig. The latter, as a young art historian, wrote his thesis on Picasso, quite unusual in post-war Germany.
During a discussion with Éva Köves, concerning her plans of an action for the Gallery by Night event series, she told me that she would actually prefer to paint a room according to her obsessions: illusory depictions of planes and shadows, projections and contrasts, delicate transitions and sharp