The present exhibition features the project shown in Venice completed with a selection of works realised by the artist in the last decade, that can be considered as prefigurations, in their topics and technical formulations, of the works hosted this year by the Hungarian Pavilion at the Biennale.
The first section of the two-part exhibition focuses on women’s roles and women’s (self-)representation in art, while the second section presents the genres and themes chosen by women, as well as their artistic achievements and accomplishments over the past half century, through their works in the museum.
The exhibition Reversed Objects raises a number of questions ranging from the status of objects as either mere things or artworks to the functioning of art institutions, while touching on various themes and disciplines. The exhibition Reversed Objects explores the reasons for the presence, and the various meanings, of traditional craft techniques, which have become increasingly prevalent in contemporary art over the last 10–15 years.
Caring is a common experience for all of us, shaping our lives from birth until death. It can be interpreted on the personal level (self-care) or projected onto relationships between people (maternal or parental care, elderly care). Still, it can also be extended to caring for nonhumans and, in a broader sense, for the Earth itself.
Márton Nemes is one of the most innovative representatives of the young generation of painters, who experiments with a 21st century reinterpretation of the image, pushing the boundaries of traditional painting in material and space.
In the framework of Bartók Spring, the museum will present the exhibition of a jazz musician and photographer with a special talent.
The Ludwig Museum’s exhibition titled À la recherche de Vera Molnar pays tribute to the artistic legacy of Vera Molnar, who passed away shortly before her 100th birthday.