Exhibitions: 1996

Last year, Jan Fabre presented this installation in Tarragona, Spain, in three rooms separated by narrow gaps between them. Passage was originally the name of another work, created with a similar technique, using hundreds of beetles.

This exhibition is about the experience of simultaneity, and it is materialized in many ways, in its making, in its presentation, and in its organization and production. Word history appears here as a meshing of particular histories in which divisions of West and East, North and South, modern and

Something has been lost, but it can be recovered – at least this is what Imre Bak might have thought, when he said in a naive touching tone: “The newest concept of art has been the one which is valid for me all the time.” Fortunately, what he thought to be valid was harmonious with the nature of

I see the show as an aggregate consisting of two units or machines.
A machine, as I understand it here, is a complex of purposefully connected elements which produce something-objects, ideology, beauty, history, whatever.

The young Cracow artist, Piotr Jaros exhibited three photo-installations in Budapest, Umarmen I – II and Triumph. Jaros started to work with large black-and-white staged photography in 1994–95.