With a focus on the recent past, the exhibition provides an overview of Attila Szűcs’s achievements as a painter. His latest pieces are at the center of the display, their thematic and technical characteristics serving as a basis for the presentation of the complete oeuvre.
The spirituality of nature and painting as a contemplative process are the key themes addressed by the American artist Susan Swartz. To appreciate the meditative aura of her paintings, a different mode of seeing is required.
Timed for the current Bartók Memorial Year, this international exhibition looks at the composer’s legacy through the means of contemporary art.
Poles are still struggling with identity issues, 27 years after the fall of the Iron Curtain. Only after 1989 were they able to discuss and examine Poland publicly, without censorship, for the first time in 50 years. Today, they continue to ponder the true nature of Poland and the Poles.
An exhibition organised by Wrocław Contemporary Museum (Muzeum Współczesne Wrocław) held as a part of the European Capital of Culture Wrocław 2016 program.
One of the priorities at Ludwig Museum Budapest is to keep track of the contemporary art scenes and new tendencies of the Central and Eastern European region and the post-socialist countries.
”We are always searching for the higher level of intimacy in our images.”
A Ludwig Musem collection showcase exhibition at the National Gallery of Arts, Tirana, Albania (Galeria Kombëtare e Arteve)
The present version of Julius Popp’s Bit.Fall is a logical next step of the project, which started in 2001 as an installation of eight nozzles. Water is used as a medium between information regarding current affairs and the viewer.
This exhibition explores the mutual influence of Hungarian popular music and visual art: iconic artworks, typical positions, important and influential scenes.
Youth culture is known to manifest itself in a variety of ways.
Founded in 1971, the Makó Artists’ Colony is a special site in the history of Hungarian graphic art. Its main profile comprised photo-based silk screen and offset printing.
Had he not passed away unduly young, Zoltán Érmezei would be sixty years old now. His lifework is less known for the wider public, although he was an outstanding member of the alternative artist generation in the 1980’s.
“When we cast a web over the world or set milestones in space and time: that is our concern and not the world’s. Probably this subjective existence also has some impact on the world. Our relation is of constant giving and receiving, throughout which we both change.