Kiállítási dokumentáció a Péter Nádas: In der Dunkelkammer des Schreibens című kiállításhoz

László Fehér gained international recognition at the 1990 Venice Biennale, where Peter Ludwig, among others, bought some of his works.

Self-portrait is a recurring motif in the photographs of András Baranyay. It has several forms, from rear views through sleeping to photographs exposed onto the portraits of others.

Ferenc Ficzek (1947, Pécs, Hungary − 1987, Pécs) is a painter and graphic artist and founding member of the Pécs Studio who built on avantgarde currents to produce, in the worst of political environments, a most outstanding, coherent neo-avantgarde oeuvre.

El Kazovsky was one of the leading figures in Hungarian contemporary painting, who worked in the field of painting, installation, performance and set design.

Tibor Hajas’ collaboration after 1976 with photographer János Vető, who was practically the only one to document his performances, marked a new period in his oeuvre.

Ákos Birkás produced his large paintings systematically from the mid-1980s to the end of the 1990s featuring a single motive: an oval shape filling the canvas almost completely, an abstract “head”, the countless variations of which – and the associations connected to the universal form – allowed

Tibor Hajas’ collaboration after 1976 with photographer János Vető, who was practically the only one to document his performances, marked a new period in his oeuvre.