The exhibition – and the project in its entirety – seek the answer to the same question, in attempting to examine our metamorphosising notions in accordance with the accelerating development of the various technologies, and to present how artists, theoreticians and scientists acknowledge and eval
"Men with Glass Bodies is the last work in a series of still lifes I started working on in 1994. The series uses still life as a metaphor of the split between body and spirit, nature and culture."
Language: Hungarian, English
Szikora aims to accentuate, to grasp a fictitious moment in time with the painted shadow, and meanwhile the works are in constant change in real space and real time, where they need the movement of the visitor to involve us as well in their game with illusion.
The creator of a characteristically distinct vision of the theatre, active participant in the neo-avant-garde revolutions, ingenious theoretician, innovator deeply rooted in tradition, anti-painting painter, heretical participant in happenings, and ironic conceptualist – these are only some of hi
Catalogue accompanying the exhibition 'True Stories by Sophie Calle'.
Language: Hungarian
Catalogue accompanying the exhibition 'Contemporary Art from Mexico'.
Catalogue accompanying the exhibition 'The House of light', contains a story and an interview with the artists.
Catalogue accompanying The Painting Prize of Magyar Aszfalt 2000.
Language: Hungarian, German
Hungarian catalogue accompanying the exhibition 'Aspects / Positions. 50 Years of Art in Central Europe 1949-1999'.
Language: Hungarian
The bunkers comprising the Atlantic Wall, built by the Germans during the Second World War as a line of strategic checkpoints ranging from the coast of Norway all the way to France, bear witness to the past. And Gábor Ősz has coaxed something clandestine out of them.
Selected works from the collection with pictures and a foreword by Katalin Néray.
Selected works from the collection with pictures and a foreword by Katalin Néray.
The montage formula 1+1=3 evokes the idea of a dialogue between two personalities with individual visual expressions, which create a new quality in a common context. It also refers to the relationship between the artists and the curator of this exhibition.
Bodnár approaches her works with the thoroughness of a scientist. She puts herself - and her "image-making" energies to the test. Her A4-sized pictures stand at the border of drawing and painting: she paints on paper with vanish, and on canvas with absorbant aquarelles.
Grunwalsky tries to see if photographs can capture the spatial dimensions of the body in a similar way as a sculpture.
Catalogue accompanying the exhibition 'CH - Contemporary Swiss Art'.
The artist spent some time in Rome on a scholarship in 1994. It was there that he began to produce drawings and graphic art, which introduced yet another angle of his expressive abilities.
Catalogue accompanying the exhibition 'Identity and Environment'.
Catalogue accompanying the exhibition 'Signs' by Ildikó Várnagy.
Catalogue accompanying The Painting Prize of Magyar Aszfalt 1999.
Miriam Bäckström photographs empty spaces. She records sites where no human being or any other living creature appears. The viewer can cast a glance into these empty spaces, whose mystery only increases by means of their imagined stories.
Language: Hungarian, English
Catalogue accompanying the exhibition 'Fine Weather - artists from Northern Italy'.
