One might as well call the performances of Eszter Csurka (1969), artist and theatrical director, interactive plays, such an active role does the audience have in shaping their plots. The one titled Consumable Art (2003) was at the same time the introduction of ZabArt (GobbleArt), an original idea in art history. During her Breadsculpture action, the artist kneaded and formed two-meter-long human figures of bread dough , she baked them, and then the audience eat them up heartily. Through and by the act of consumption she theorized the conceptual relativity of form and material first of all, but also actualized the aesthetics of disappearance, at the same time hinting at the conflict between the sacred and the mundane. With her new piece shown for the very first time Csurka again sets out to try the concentration and participation of her audience.