MÁRTON NEMES is a prominent and innovative member of the young artists’ generation. His works are inspired by painting, but he soon transcended the classical medium, interested in the visual effects of the image that characterise today’s vibrant art. Initially, he was attracted to both figuration and abstraction. In his first series, he explored the impact of changing economic and ideological interests on architecture. His paintings still depicted space in a figurative way, but the geometricity of the abandoned shops already indicated a need that is perhaps his main motivation: an understanding of pictorial abstraction. His painting is characterised by experimentation, by reflection on painting – through painting. His constant technical experimentation – such as the alternating use of materials within a composition – and his extended interpretation of colour – be it paint, coloured plastic elements, sintered metal elements – result in a distinctive, dynamic composition within a single painting. In his case, it would be better to speak of imagemaking, rather than painting in the classical sense. He creates his works not only with the traditional tools of painting, but also incorporates steel frames, foil, scrap wood and some materials rarely used in painting. And the works do not exist merely as traditional paintings to be hung on the wall, but extend into the space, merging with complementary installation elements. This mode of creation, using a variety of materials, conveys content over a broader spectrum than a painting conceived in a homogeneous technique. Nemes’ dynamic and compelling works have an emotional impact on the viewer. They are part of a new canon that provides a valid response to the visual culture of our time. By pushing the boundaries of genre, he expands our notion of abstract painting and builds a bridge between high and subculture.