The fundamental idea of the exhibition is to explore a familiar, almost everyday architectural phenomenon, the characteristic Hungarian “cube house” (a house with a hip roof, the so-called Kádár cube) as an expression of architectural modernization.
The fundamental idea of the exhibition is to explore a familiar, almost everyday architectural phenomenon, the characteristic Hungarian “cube house” (a house with a hip roof, the so-called Kádár cube) as an expression of architectural modernization.
The fundamental idea of the exhibition is to explore a familiar, almost everyday architectural phenomenon, the characteristic Hungarian “cube house” (a house with a hip roof, the so-called Kádár cube) as an expression of architectural modernization.
The 1:1 structural model in the Cube House exhibition at the Muzeum Ludwig creates a situation in which questions of coexistence can be transferred from the observation of history to the present by performative means on May 25.
The exhibition’s title refers to Vera Molnar’s series À la recherche de Paul Klee, recalling the artist’s experiments in examining art historical influences through her own creative methods and tools. Similar to the narrator of Marcel Proust’s novel sequence À la recherche du temps perdu (In Search of Lost Time), Molnar was interested not only in the mere recall of the past but also in its reinterpretation in the context of the present.
The exhibition’s title refers to Vera Molnar’s series À la recherche de Paul Klee, recalling the artist’s experiments in examining art historical influences through her own creative methods and tools. Similar to the narrator of Marcel Proust’s novel sequence À la recherche du temps perdu (In Search of Lost Time), Molnar was interested not only in the mere recall of the past but also in its reinterpretation in the context of the present.
The exhibition’s title refers to Vera Molnar’s series À la recherche de Paul Klee, recalling the artist’s experiments in examining art historical influences through her own creative methods and tools. Similar to the narrator of Marcel Proust’s novel sequence À la recherche du temps perdu (In Search of Lost Time), Molnar was interested not only in the mere recall of the past but also in its reinterpretation in the context of the present.
The exhibition’s title refers to Vera Molnar’s series À la recherche de Paul Klee, recalling the artist’s experiments in examining art historical influences through her own creative methods and tools. Similar to the narrator of Marcel Proust’s novel sequence À la recherche du temps perdu (In Search of Lost Time), Molnar was interested not only in the mere recall of the past but also in its reinterpretation in the context of the present.