More than 20 years after the political transformation and end of the Cold War, we would like to take stock of emergent trends in contemporary art theory related to the marginal positions. The situation and position of art and art history in East-Central Europe have changed in the new world order, in an increasingly globalized world in which physical and cultural proximity are complexly interrelated. It seems that at the moment there is no widely accepted “master” narrative or dominant paradigm in art theory. Rather, we find ourselves in a pluralistic global market of ideas, circulating within uncertain, fluctuating boundaries among a number of different paradigms and competing theories. In the framework of the Budapest Ludwig lecture series, we would like to better understand how leading art theoreticians view the present situation and the criteria for an art theory that would contribute to interpret the marginal or ex-marginal positions.
Today's lecture:
Alter-Globalist Art History Seen from East European Perspective
Lecturer: Piotr Piotrowski, art historian, Poznań, Berlin
Respondants: Maja Fowkes and Emese Kürti, Moderator: Reuben Fowkes
Coming up next:
A Passion for History in the Depoliticized and Castrated European Union Regime
3 May 2012 / Thursday, 17.00
Lecturer: Marina Gržinić, philosopher, artist media theorist, Ljubljana, Vienna
Directions in Contemporary Art
15 May 2012 / Tuesday, 17.00
Lecturer: Alexander Alberro, art historian, Columbia University, New York
On Similarity
22 May 2012 / Tuesday, 17.00
Lecturer: Boris Groys, philosopher, theorist, New York University, Karlsruhe
The series will continue in September.
Language: English
Supported by the Open Society Institute.