The Ludwig Museum – Museum of Contemporary Art cordially invites you to the opening of the exhibition THE DEAD WEB – THE END on Thursday, February 23, 2020 at 6 p.m.
Greeting by Julia Fabényi, Director of the Ludwig Museum – Museum of Contemporary Art
Opening speech by Aurélie Besson, Director, Molior, Montréal (CA)
Curators of the exhibition:
Nathalie Bachand, writer, curator, Molior, Montréal (CA)
Béla Tamás Kónya, Head of Conservation Department, Ludwig Museum – Museum of Contemporary Art
EXHIBITING ARTISTS
Julien BOILY, BORI Bálint, BEÖTHY Balázs, CSONTÓ Lajos, Romain & Simon de DIESBACH, EIKE, FORGÁCS Péter, GERHES Gábor, KOMORÓCZKY Tamás, Frédérique LALIBERTÉ, NAGY Kriszta, NÉMETH Hajnal, PÁL Zsuzsanna Rebeka, Roman ONDAK, Projet EVA (Etienne GRENIER & Simon LAROCHE), Dominique SIROIS & Baron Lanteigne, Société Réaliste, SUGÁR János, SZARKA Péter, SZEGEDY-MASZÁK Zoltán, Julie TREMBLE, Lukas TRUNIGER & Nicola L. HEIN, VÁRNAI Gyula, VÁRNAGY Tibor, ZICS Brigitta
Exhibition coproduced by Ludwig Museum and Molior.
Supported by: EMMI, MÜPA, Canada Council for the Arts, the Conseil des arts et des lettres du Québec, the gouvernement du Québec, ProHelvetia, Conseil des arts de Montréal, Les offices jeunesse internationaux du Québec, Goethe-Institut, Samsung
The associate partner of Ludwig Museum is C3 – Center for Culture & Communication
Please be informed that our events will be recorded by sound and video, from which the Ludwig Museum may use details to promote the museum and its programs and for other promotional purposes. By participating in our events, you agree that you may appear on the recordings, but you may not make any claim against the use of the recording with the Ludwig Museum or third parties authorized by it.
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The Dead Web - The end 24. January, 2020 – 26. April
How will the at once dematerialized and delocalized dynamics of power structures be impacted in both their evident economic and inevitably political manifestations if the network is disconnected? But also, what can still be said or done in the meantime? How does one occupy—or not— what is essentially borrowed time and space, a space-time henceforth to be shared between digital and physical realities.
