The artists who practiced institutional critique in their art in the 1960s and 1970s consciously created works of art that are not marketable or easily museologized. It is a paradoxical situation that, most of these works are in museums by now. Today this attitude has changed, and contemporary artists do not offer an outside point of view from where they can criticize the museum. The artists are also part of the art world system and they intimately know how it works. Artists do not consider themselves victims, neither does the museum feel guilty. The works displayed in Site Inspection demonstrate that the roles played by the different actors of the artworld, and the ways of interpretation cannot be considered fixed any more. What the museum can do is to see and show how it works, and dare to face its own criticism.
Language: Hungarian with English summaries